Based on newspaper photographs, playbills and publicity shots scaled up for transfer onto canvas, they make a strong argument for viewing Sickert as a modernist – a precursor to artists like Marlene ...

There’s a fantastically sinister series of self-portraits at the start of Tate Britain’s “riveting” new Walter Sickert exhibition, said Laura Cumming in The Observer. Sickert (1860-1942) paints ...

Walter Sickert (1860–1942), a leading figure in British art, has been neglected in France, despite his close links with Degas and Jacques-Emile Blanche and his collaborations with the French art ...

Before reaching that last room, I’d spent the entire exhibition trying to fathom this artist who seems as slippery as an eel. Light – its presence or absence – was clearly an ongoing preoccupation.